Anna Labouze and Keimis Henni are French curators, and the founders and directors of Artagon, an association supporting young artists’ professional development between Pantin and Marseille. The duo are the artistic directors of Les Magasins Généraux, a hybrid cultural center with a strong focus on emerging talents and tendencies, created by BETC in Pantin in the northeastern suburbs of Paris. They were also the curators of the first Contemporaine de Nîmes triennial in 2024. M

https://www.tenmoirgallery.com/behind-the-mask-art-competition/ Links to an external site. I viewed the exhibition Behind The Mask created by Tenmoir Gallery online. This artwork is by Sergey Yudin, is a photography called Splitting. I viewed this exhibition and also participated in it as an artist. My work was chosen as a finalist and listed in the exhibition website. The theme was Behind the Mask, and I interpreted the whole concept as a way to dissimulate the real self be

Chen Fei 陈飞 Mother Deer, 2024 Michelle Gregor Small Maquette, 2025 Geng Xue 耿雪. Mr. Sea/Surreal Landscape / Fire and Waterfall, 2024 Vanessa Stockard Cuddle with claws, 2025 Viktor Zuk A Colorful Journey with My Harlequin, 2025 Porkchop. "Millicent", 2023 Jeff Canham. Untitled (CCTV camera #3), 2025 From https://www.artsy.net/

Origins of curation and museum collections German Painting and Sculpture, 1931 A cabinet a curiosities were encyclopedic collections of objects whose categorical boundaries were, in Renaissance Europe, yet to be defined. Fold-out engraving from Ferrante Imperato's Dell'Historia Naturale (Naples 1599), The choice/collection of objects of art built and displayed carefully with logical agency into the museum and gallery space is akin to building a cabinet of curiosities, which d

Dans le crépuscule entre deux mondes, j'erre, fantôme de moi-même, pourtant pas tout à fait entier. Le même, mais différent, comme un reflet dans un miroir fêlé. Le désordre de béton bourdonne de son battement de cœur mécanique, tandis que les chemins pavés chuchotent des secrets d'une romance révolue. Pourtant, dans cet espace invisible, mon âme reste à la dérive, sans amarres, cherchant un but qui m'échappe comme une ombre au crépuscule. Je ne suis pas une création synthéti

In Paris, where everything shone brightly, the Haussmanian buildings, the lights, the cobblestone pavements, the dim street lights, the vintage cafes and black corner cats, was where one world began; and the other world started in Hong Kong, the home of my parents; a neon-infused city, with tall glass buildings, where the world of finance and shopping collide together. I came to know these two worlds, where one began and the other one ends. The first time I traversed from Hon